Rumiko Takahashi. Kyokai no RINNE Ganz überraschend fällt Sakura eine Shinigami-Sichel in die Hände, von der sie als Trägerin anerkannt wird. Rumiko Takahashi ist eine der berühmtesten japanischen Comic-Zeichnerinnen und wird oft Prinzessin des Manga genannt. Sie ist eine der reichsten Privatpersonen in Japan. Ihr Jahresverdienst wird auf umgerechnet 2–3 Mio. € geschätzt. Neben Mangas. Author and artist Rumiko Takahashi, the world's most popular and prolific female manga creator, has a large, devoted international fan base. Over million.
Rumiko Takahashi Sie befinden sich hier
Rumiko Takahashi ist eine der berühmtesten japanischen Comic-Zeichnerinnen und wird oft Prinzessin des Manga genannt. Sie ist eine der reichsten Privatpersonen in Japan. Ihr Jahresverdienst wird auf umgerechnet 2–3 Mio. € geschätzt. Neben Mangas. Rumiko Takahashi (jap. 高橋 留美子, Takahashi Rumiko; * Oktober in Niigata, Präfektur Niigata) ist eine der berühmtesten japanischen. Rumiko Theater (jap. 高橋留美子劇場, Takahashi Rumiko Gekijō), englisch auch Rumic Theater oder Rumiko Takahashi Anthology, ist eine Sammlung von. Alle Bücher von Rumiko Takahashi gratis Probe lesen und kaufen bei Egmont Manga. Rumiko Takahashi. Kyokai no RINNE Ganz überraschend fällt Sakura eine Shinigami-Sichel in die Hände, von der sie als Trägerin anerkannt wird. Serien und Filme mit Rumiko Takahashi: Inuyasha · Kyokai no RINNE · Mermaid Forest · Rumiko Takahashi Anthology · Inuyasha · Ranma 1/2 · Maison Ikkoku. von Rumiko Takahashi · (65). 10,28 €. Despite all kinds of crazy supernatural beings appearing and attacking Ataru, nothing brings calamity quite like the kind.
Rumiko Takahashi. Kyokai no RINNE Ganz überraschend fällt Sakura eine Shinigami-Sichel in die Hände, von der sie als Trägerin anerkannt wird. Author and artist Rumiko Takahashi, the world's most popular and prolific female manga creator, has a large, devoted international fan base. Over million. Rumiko Takahashi (jap. 高橋 留美子, Takahashi Rumiko; * Oktober in Niigata, Präfektur Niigata) ist eine der berühmtesten japanischen. Etwas ist schiefgegangen. Shopbop Designer Modemarken. EUR 6,95 Versand. Sprache Alle ansehen. Über Amazon. Amazon Advertising Kunden finden, gewinnen und binden. Angela Schanelec Alle ansehen. Pentaflix 11,39 Versand. Die meisten Takahashi-Charaktere sind weder eindeutig gut noch böse, sondern menschlich. Artikel merken In Cinemaxx Stuttgart Liederhalle Stuttgart Warenkorb Artikel ist im Warenkorb. Weitere Informationen bei Author Central. Beendete Angebote. Hauptseite Themenportale Zufälliger Artikel.
Career and major works: Takahashi's professional career began in Her first published story was Those Selfish Aliens, a comedic science fiction story.
During the same year, she published Time Warp Trouble, Shake Your Buddha, and the Golden Gods of Poverty in Shounen Sunday, which would remain the home to most of her major works for the next twenty years.
Later that year, Rumiko attempted her first full-length series, Urusei Yatsura. Though it had a rocky start due to publishing difficulties, Urusei Yatsura would become one of the most beloved anime and manga comedies in Japan.
In , Rumiko Takahashi found her niche and began to publish with regularity. Written for an older audience, Maison Ikkoku is often considered to be one of the all-time best romance manga.
Takahashi managed to work on Maison Ikkoku on and off simultaneously with Urusei Yatsura. She concluded both series in , with Urusei Yatsura ending at 34 volumes, and Maison Ikkoku being During the s, Takahashi became a prolific writer of short story manga, which is surprising considering the massive lengths of most of her works.
In , after the end of Urusei Yatsura and Maison Ikkoku, Takahashi took a different approach to storytelling and began the dark, macabre Mermaid Saga.
This series of short segments was published sporadically until , with the final story being Mermaid's Mask. Many fans contend that this work remains unfinished by Takahashi, since the final story does not end on a conclusive note.
Another short work left untouched is One-Pound Gospel, which, like Mermaid Saga, was published erratically. The series continued for nearly a decade until , when it ended at 38 volumes.
During the later half of the s, Rumiko Takahashi continued with short stories and her installments of Mermaid Saga and One-Pound Gospel until beginning her fourth major work, InuYasha.
The series became her most eclectic work, featuring action, romance, horror, fantasy, folklore-based historical fiction, and comedy.
Source: MU. Details News Featured Pictures. Add Voice Actor Role. Add Position Anime Staff Positions. Is there a staff position here that shouldn't be?
Request to have it removed. Add Work Published Manga. Is there work here that shouldn't be? Ranma chuugoku ni kaeru? Sayonara wa iwanaide!!
Hissatsu shiatsuken wa mimo kokomo ubau Watashi inochi azukemasu Ranma wa nihonichi no oyomesan Show all 18 episodes.
Ikkoku-kan Is Forever!! Grandma's Love Embosomed in the Ring Godai-kun's Courageous Proposal! Godai's Love Is Forever?! Show all 96 episodes. Urusei Yatsura TV Series manga - episodes, - comic - 26 episodes, - creator - 22 episodes, - - All-Star Banquet!
We Are Immortal!! Ran's Mischief Campaign Lum's Dangerous Marriage Talk Run, Kunoichi! Chaos in the City of Lords Vengeance in Pontochou A Monster of the Gion Festival The Daughters of the Wolves of Mibu When Rumiko Takahashi was 17 years old, her interest in comics was limited to reading them and occasionally copying a character in the margins.
A slim, attractive young lady with an enchanting personality, she seems perhaps a bit bemused by her unexpected success.
Most people who meet her are surprised by her charisma -- an attribute more often found in performing artists than comics artists who spend most of their time locked away from life -- and by the husky contralto voice that seems rather inappropriate for such a petite lady.
She is renowned in Japan for her dislike of interviews, and clockwork-like reliability in a field where editors often have to trap artists in hotel rooms in order to obtain finished artwork.
But how did she get there? Takahashi was born in Niigata, Japan, in After passing the difficult entrance exam for Nihon Joseidai Japan Women's University , she moved into a small student's apartment in Nakano, Tokyo where she live for several years.
Simultaneously with her entering university, she enrolled in Kazuo Koike's famous training ground for manga artists, Gekiga Sonjuku. Takahashi is casual about the difficulties of combining university courses with the notoriously demanding manga school: "Sonjuku was an evening course, about two hours long.
It didn't really feel like school to me, more like participating in a club. Under the personal direction of Koike, she turned out hundreds of pages over the next two years, and gradually began to feel that she'd found her place in the world.
Koike's prime dictim -- hammered into students from day one -- is that "Comics are carried by characters By , her talent was obvious to everyone.
Her art and stories had, well, they had that something special. It ran erratically, often skipping several issues, until the middle of , when it began regular publication.
Life was hard for Takahashi in those days. And in fact, I ended up living in a roku-jo room about sq. It was so crowded that I had to sleep in the closet!
Conversely, however, the competition is fierce. They are, at the very least, something that couldn't be done away with without leaving a gap in popular culture.
But young comics hopefuls in Japan are surrounded by examples of success -- the late Tezuka, Fujiko-Fujio, Toriyama and others.
All are multi-millionaires, and provide a peak to aim for. However, as Takahashi points out, it's still a risky move. It's true that in Japan there are more chances to succeed, but if you fail, then everything is lost.
A year-old failed manga artist is liable to find the job market virtually non-existent, even with a university degree.
But of course, the only way to find out is to do it, try for several years and just hope for the best.
But Takahashi says "At the level of my feelings, nothing changed. What I do now, the basic way I live, is the same. When I sit down at the drawing board, all that I can see is that white piece of paper -- just as white after all these years.
In any case," she laughs, "even though I'm paid very well these days, I really haven't the time to spend it! Even the responsibility to produce hundreds of pages on a regular basis hasn't spoiled the essential reason she became an artist in the first place.
There are so, so many things I want to write, more than I could possibly write in a lifetime I guess I'm just happy that I can spend my time doing what I want.
The popularity of animation based on her works has helped make her income what it is. At its peak, the fan club had over , members. While this restriction does not apply directly to a new TV series, it does make it less probable.
It concerns the tempestuous relationship between Ataru Moroboshi, a high school student in the small town of Tomobiki, and Lum -- a green-haired, green-eyed package of sex appeal and jealousy, who just happens to be an alien.
It really included everything I wanted to do. I love science-fiction because sf has such flexibility. The cast of characters grew over its nine-year run, and when the series ended the audience was follwing the adventures of more than 25 major characters.
The characters were divided into roughly two groups -- Lum's friends, who were often based on Japanese mythological figures, and the earthlings.
Takahashi herself claims to be partial to supporting characters like "the bizarre Ran, or Benten. I also like Ryunosuke and her father -- it was so easy to manipulate them in a story.
Ryunosuke's character was very clear -- she wants to live as a woman, and her father's role is to prevent her from doing so. Very clear and simple.
Lum's race comes to Earth intending to simply invade and take over. But Earth has one chance -- if Ataru chosen randomly by computer as Earth's champion can defeat Lum in a game of tag, the invaders will just pack up and leave quietly.
Ataru, who has glandular drives undreamed of by even the most lascivious of high school boys, is only too eager to get his hands on the delectable Lum.